Ali R. Leskowitz

Patrick H. Quinn ’10 talks about dance using colloquial descriptions not typically associated with the art. “Dance looks so fucking ...

The Crimson Dance Team and Harvard Ballroom Dance Team fuse athletic competition with artistic interpretation, in a unique hybrid of art and sport.

If Bertolt Brecht and Steve Jobs collaborated on a play about economic downturn, the end result might look something like the lifeless, sluggish production of Clifford Odets’s “Paradise Lost” currently running at the American Repertory Theater (A.R.T.).

An illuminated white line bisects the endless black of the Boston University Theatre’s Stewart F. Lane and Bonnie Comley Studio 210.

Borrowing established stories and adapting them for the stage is hardly unusual in today’s theater culture, where original writing is hard to find.

Running through February 7th, “All My Sons” has not felt so timely since its 1947 debut, owing in part to the current national culture of profit-hungry egocentricity.

Though it offers a wonderful musical experience, “Best of Both Worlds” ultimately demonstrates the potential pitfalls of an emphasis on active spectatorship.

Arts execs take a break from ranking Radiohead vs. Spoon to rank... whatever they feel like.

New A.R.T. show is a mind-blowing multi-sensory experience

Last year, the Hasty Pudding Theatricals explored the world of ancient Greece with its 161st show, “Acropolis Now,” a comical